ADRIA TENNOR - ACTING & PUBLIC SPEAKING COACH

I’m an actor (Mad Men, The Artist), filmmaker, and coach with 30+ years in the business, helping actors book work and bring great stories to life—and guiding entrepreneurs and execs to communicate like they actually mean it.I teach real tools: acting craft, vocal work, and grounded mindset practices that help you stop spiraling and start connecting. Whether you’re prepping an audition or gearing up for a big presentation, I’ll help you use what’s already working and build from there.This isn’t about chasing confidence. It’s about learning to trust the mess, speak from truth, and show up like you belong in the room—because you do.

Mar 22 • 1 min read

I don't wear victim well. 💀 ...here's photographic evidence anyway!


Hi Reader,

Early in my career I kept getting called in for the same types of roles.

Procedural victim roles, mostly.

On paper? They made sense. I could play them. The work was solid. I understood the character. I showed up prepared.

But I wasn't booking them.

And for a while I did what most actors do — I just kept trying harder. More preparation. More vulnerability. More... victim-ing.

Which, as it turns out, is not a verb. And also not my problem.

What eventually became clear — after way too long, if I'm being honest — wasn't that I couldn't book victim roles.

It's that I don't wear victim well.

My essence, the thing I bring into a room before I say a single word, screams survivor. Fighter. Winner. Regal queen.

This is simply how I function in story.

So the moment I stopped trying to play "woe is me" and started playing those exact same characters through my actual casting essence — something shifted.

The work got sharper. The choices got braver. The reads got clearer.

And here's the wild part: I started booking the victim.

Not because I finally learned to be more victim-like.

Because I finally understood that a regal queen who has been victimized is approximately one thousand times more interesting than a victim who is just... being a victim when I'm playing it.

That shift didn't come from acting harder.

It came from understanding my casting identity — and refusing to abandon it even when the role seemed to require something else.

That's what Casting DNA™ is built to help you find.

Not a type. Not a box. Not a limitation.

The through-line that makes everything you do more specific, more alive, and more undeniably you.

We start April 7. Ten actors. Six weeks.

Founder pricing — $650 — closes this Tuesday, March 24 at 11:59 PM PST. It goes to $750 Wednesday morning, quietly and without apology, like a parking meter that doesn't care about your flat tire or the lack of gas in your tank.

If you've been sitting with this, Tuesday night is your moment.

And if you want to do a quick gut-check on what your materials are currently communicating before you decide, the free Casting DNA™ Pre-Check is right here.

Talk soon,

Adria

P.S. What's YOUR version of "doesn't wear victim well"? I'm genuinely curious. Hit reply and tell me — I read every single one of these. 🙏

(Did someone forward this to you? That person loves you. Subscribe here and love them back. 💌)


I’m an actor (Mad Men, The Artist), filmmaker, and coach with 30+ years in the business, helping actors book work and bring great stories to life—and guiding entrepreneurs and execs to communicate like they actually mean it.I teach real tools: acting craft, vocal work, and grounded mindset practices that help you stop spiraling and start connecting. Whether you’re prepping an audition or gearing up for a big presentation, I’ll help you use what’s already working and build from there.This isn’t about chasing confidence. It’s about learning to trust the mess, speak from truth, and show up like you belong in the room—because you do.


Read next ...