ADRIA TENNOR - ACTING & PUBLIC SPEAKING COACH

I’m an actor (Mad Men, The Artist), filmmaker, and coach with 30+ years in the business, helping actors book work and bring great stories to life—and guiding entrepreneurs and execs to communicate like they actually mean it.I teach real tools: acting craft, vocal work, and grounded mindset practices that help you stop spiraling and start connecting. Whether you’re prepping an audition or gearing up for a big presentation, I’ll help you use what’s already working and build from there.This isn’t about chasing confidence. It’s about learning to trust the mess, speak from truth, and show up like you belong in the room—because you do.

Apr 04 • 1 min read

"I'm not a type." Cool. See you never, [FIRST NAME GOES HERE].


Hi Reader,

The step in my process that gets the most pushback?

Finding your prototypes.

I get it. It feels lame, maybe even dumb.

You're a whole, complex, irreducible human. Not a type. And being compared to someone else feels reductive at best. Insulting at worst.

But here's the thing:

Hollywood has been doing this for years and it's not gonna stop anytime soon.

It's not malicious. It's a shorthand — a shared code that helps everyone in the industry communicate on common ground.

"We want a Zendaya type."
"Think young Pedro Pascal."
"Ayo Edebiri quirk and energy."

If you audition with any regularity, you've seen this language in the breakdowns your agent forwards you. It lives in casting offices, on director calls, in conversations we're not in the room for.

Hollywood didn't invent it to hurt us. It just happened as a way to communicate about character and story.

So you've got a choice.

You can resist it and hope someone takes the time to piece together everything you are from a handful of disconnected clips and a headshot.

Or you can learn the language. Then use it strategically. Aim casting in the right Reader direction — so they can actually cast you. Right now.

That's Week 1 of Casting DNA™. That's where we start.

On April 7th, I'll be working with a handful of actors who decided to lean in instead of push back. Who figured out that speaking Hollywood's language isn't selling out — it's showing up.

Because once that clicks? It's not a cage. It's a roadmap. Use it. Find some buried treasure.

Enrollment closes Tuesday, April 7 at noon PT. We start that same day at 4pm.

If you're ready to stop being misread — and start being obvious in the right way:

$750 pay in full
or
2 x $400 on the flex plan

If you're still on the fence, you can book a free 15-minute call with me. I've opened up some weekend times I don't normally offer and kept the lead time short — you can grab a spot as soon as two hours from now. No pitch. Just answers.


Adria

P.S. If someone forwarded this to you, they know a thing or two.
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I’m an actor (Mad Men, The Artist), filmmaker, and coach with 30+ years in the business, helping actors book work and bring great stories to life—and guiding entrepreneurs and execs to communicate like they actually mean it.I teach real tools: acting craft, vocal work, and grounded mindset practices that help you stop spiraling and start connecting. Whether you’re prepping an audition or gearing up for a big presentation, I’ll help you use what’s already working and build from there.This isn’t about chasing confidence. It’s about learning to trust the mess, speak from truth, and show up like you belong in the room—because you do.


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